We have hosted over 80 acts since 2012 and have produced a large body of footage from our events, available to view on YouTube.
We hosted our first spatial (surround-sound) concerts at New River Studios, London, in 2016, using a 7 channel rig, and then continued at Iklectik, London in 2022-23 with a series of 3 concerts using the Amoenus ambisonic rig.
We feature live performers with electronics, who cross the boundaries of: ambient, progressive rock, university research music (electro-acoustic music), minimalism and improvisation. Often our artists are using hardware and software loopers.
Founder – Georgina Brett
Former curators – Andrew Ostler (Expert Sleepers) and Michael Bearpark of ‘Darkroom’.
Series 4 was hosted at Iklecktik (Waterloo)
artists included:
Gabriel Prokofiev, Simon Fisher Turner, KOGG, Georgina Brett, Charles Ferneyhough, Gareth Whittock, Jono Podmore AKA KUMO, Joseph Hyde, Darkroom, Elif Yalvaç and Henrique Matias AKA Hems
Series 3 at The Muse Gallery, (Portobello)
artists included:
Jecklin (Thomas Stone), Kumo (Jono Podmore), Lucid Brain Integrative Project (Emmanuel Reveneau), Prehisto’zik (Nelly Meunier), Yoaf (feat Tom Faux, John Saunders, Tim Yates), White Noise (Dave Vorhaus and Mike Painter), Susanna Lafond, Georgina Brett.
Series 2 The Strongroom Bar (Hoxton), The Others (Stoke Newington) and New River Studios (Manor House)
artists included:
Shankara Andy Bole, Peter Chilvers, Rick Walker, Iris Garrelfs, Gareth Whittock, Deekie, Darkroom, Joseph Hyde, David Cooper Orton, Idiot St Crazy (Valentin Carette), Hems, Setherian, Gagarin, Minny Pops, Map 165, Nick Parkin, Encym, Matt Stevens, Steve Beresford, Blanca Regina, Sharon Gal, Nick Rothwell, Darren Sangita and Himanish Goswami, Georgina Brett, Thomas Stone, Roshi feat Pars Radio, Johanna Glaza, Tom Mudd, VCOADSR, Martin Pyne, The Broca Ensemble, and more…
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Series 1 The Retro Bar (Westbourne Park) and The Paradise Bar (Kilburn).
artists included:
David Cooper Orton, Gagarin, Solar Quest, Darkroom, AcouChristo, Illi Adato & Graham Dunning, Steve Lawson, Ruby Colley, Ricardo Spaggiari, Ourobourus, Illi Adato and Guy Harries, Per Boysen, Leander Reininghaus, Randolf Arriola, Michael Peters, Andy Butler, Fabio Anile, Simeon Harris, Tom Wallace, Lee Harris and the Moonlight Orchestra, Steve Moyes and Jude Cowan Montague, Jo Thomas, Greg Hunter, Suzy Condrad, Otto Fischer, Georgina Brett, Matt Stevens
More Info
“A little minimal, a little magical, a little chaotic and little bizarre. Live on stage. The craft of harmony and rhythm taken off the beaten track.. Risky live electronic music. Boxes, wires, instruments, pedals, and laptops … a platform for new sounds, collaborations and innovation. And since the beginning of Series 4, immersive, surround-sound concerts in London.”
We are delighted that there are now accessible protocols for designing sound in space. Having worked with ambisonics for 3 concerts using the ‘Amoenus’ sound rig at Iklectik in London, we are now also working with Southby Productions and D&B speaker and system technology to present our next immersive concert on 2nd April 2024.
Here’s some info on Tuesdays Post founder Georgina Brett:
Georgina studied undergraduate music at Edinburgh University under Peter Nelson and Nigel Osborne, focusing on contemporary music study and techniques. On the strength of her final electronic compositions and her compositional work as music director of the university theatre company Georgina secured a scholarship to The Banff Centre in Canada to study composition and a bursary fund to study MA at Birmingham University under Jonty Harrison. In early 2000’s Georgina worked on a series of binaurally recorded fieldwave CD releases of the environment of eco-festivals and since 2003 she has explored the territories of the voice and delay pedals making collages of vocal sound, usually non verbal. In 2012 Georgina began Tuesdays Post : Live Progressive Ambient in order to create a platform for artists who explore acoustic instruments and electronics, focussing on music both eccentric/eclectic/electro-acoustic and also with a sense of aesthetic beauty. (So much experimental music is hard on the ear!)
Spatial Work
“My introduction to spatial music, (and still the best concert i have ever been to!) was “Persephassa” by Iannis Xenakis. A piece for 6 drum kits surrounding the audience. I had the opportunity to meet Xenakis after the concert, which is perhaps one of my most treasured memories. As a postgraduate I used ‘diffusion’ techniques to spatialise my compositions with B.E.A.S.T (Birmingham Electro-Acoustic Sound Theatre) and in early 2000’s I dj-ed at The ICA using diffusion rigs. Borrowing a matrix mixer from a theatre hire company I set up an octophonic ambient room in a massive club night in 2014, and in 2015 and 2016 presented 2 live concerts with instrumental performers in 6 channel surround-sound.
